Phish bout connected on Tuesday at Ascend Amphitheater in Nashville afterwards a solid brace of shows in Albany and an outstanding three-night run in Hampton. Tuesday’s aboriginal set featured attenuate song choices and a must-hear additional set abounding to the border with outstanding improvisation, which fabricated for addition arch black in Music City.
The Ascend Amphitheater is awfully altered than any added armpit area the bandage is arena during Fall Bout 2018 as it’s outdoors and bisected the admeasurement of the aing better venue. While Phish may not accept a continued and acclaimed history of accomplished performances at the Ascend Amphitheater as they do at Hampton Coliseum and Albany’s Times Union Center, anniversary of their aboriginal three shows at the area was memorable. The bandage fabricated their admission in the allowance on August 4, 2015 on an black best remembered for the acknowledgment of the additional jam in “Mike’s Song”, hosted a bedfellow actualization from Bob Weir on October 18, 2016 and delivered one of the best sets of Fall ’16 the aing night. Also of note, Phish was the additional artisan to comedy Ascend Amphitheater afterward two shows from Eric Church on July 30 and 31, 2015.
Phish advised the accommodation army in Nashville to aloof the fourth-ever “Tweezer Reprise” opener and aboriginal aback June 19, 2010 at SPAC in Saratoga Springs, New York. The canticle came about three canicule afterwards the quartet alone a standout “Tweezer” during the additional set in Hampton on Saturday night and went on to achieve the run at the Mothership afterwards the accompanying “Reprise.” Aing came aboveboard versions of “Party Time” and “Free.” Bassist Mike Gordon again led his mates through a awning of The Dillards’ “The Old Home Place,” which was aftermost played on December 30, 2016 – a amount of 56 shows. Gordon accustomed a bark out from keyboardist Page McConnell who apprenticed the admirers to “give it up” for the bassist during “Lawn Boy.” McConnell went on to address “Lawn Boy” to the bodies on the backyard at the alone amphitheater stop of the tour.
Nearly 20 years ago Phish donned a agreeable apparel of The Velvet Underground’s Loaded on October 31, 1998 in Las Vegas. “Rock & Roll” was the alone song from the 10-track LP to acquisition a home in the band’s repertoire, so it’s consistently a amusement aback one of the added tunes from Loaded sees action. “Cool It Down” got the alarm in Nashville, authoritative its acknowledgment afterwards 229 shows. The additional better apprehension out of the year wasn’t accomplished altogether yet was accustomed with accessible arms. Phish nailed the “Theme From The Bottom” that followed. Gordon again had his additional about-face in the spotlight on advance vocals for a awning of Son Seals’ “Funky Bitch.” While the four-piece kept aural the curve throughout the aboriginal set, the anatomy concluded with a leash of songs featuring added bite from guitarist Trey Anastasio. Trey showed off a array of bedraggled and characteristic tones as Phish fabricated their way through a run of “Kill Devil Falls,” “Wolfman’s Brother” and “Character Zero.”
In a move that brought aback memories of Phish’s above admission at Ascend Amphitheater, the bandage kicked off the additional set on Tuesday with “Mike’s Song.” It’s attenuate for the aboriginal “Mike’s Song” jam to accommodate beatific improvisation, yet Anastasio led a move to a admirable area area the quartet hit pay. Afterwards a few august account of beatitude jamming, the guitarist addled a aphotic ambit to arresting a alteration to a accessory key. His bandage mates bound fell in bandage for a articulation far removed from a archetypal “Mike’s Song.” The must-hear and harmonically adventuresome “Mike’s” featured yet addition about-face in keys and was larboard amateurish advanced of spot-on segue into “Ghost.” Phish took time award an access to accompany in “Ghost,” but already they acclimatized in the quartet unleashed a agreeable autonomous jam that independent added jaw-dropping improvisation. Drummer Jon Fishman played with the activity and ability of a artist bisected his age and calmly assorted tempos throughout the ballsy “Ghost” in accouterment a ball affair for the faithful. All told, the adorable “Mike’s Song” > “Ghost” arrangement spanned 30 account and calmly stands amid the best segments of the year.
“Everything’s Right” was a applicable song best to chase such a memorable alpha to the set. Phish ashen little time afore jumping into the third deliciously awe-inspiring jam of the closing stanza. Mike captivated bottomward the basal end, Fish provided a abysmal groove, Page added layers of Rhodes and Trey formed in angular leads as fog abounding the stage. If the “Mike’s” and “Ghost” were noteworthy for how abundant arena Phish covered, “Everything’s Right” was arresting for how far the bandage could dig into one ambit sequence. “Set Your Soul Free” eventually emerged out of “Everything’s Right,” which fabricated for a bond of jam cartage originally performed by the Trey Anastasio Bandage advanced of their contempo adaption to the Phish repertoire. McConnell starred on the multi-faceted “Set Your Soul Free” jam acknowledgment to the appealing harmonies he’d float from the assorted instruments in his rig. Fifty-five account into the burning archetypal set, Phish assuredly took a blow by accoutrement Los Lobos’ “When The Circus Comes.”
The six-song additional set came to a cessation with “Weekapaug Groove.” Anastasio active a beefy accent and focused on rhythms as Page wailed abroad on piano. Even aback Trey assuredly lit into a abandoned to accompany “Weekapaug” to a boastful peak, McConnell was still activity wild. Anastasio threw in audible teases of Jimi Hendrix’s “Third Stone From The Sun” for acceptable measure. Phish capped the black with a “Loving Cup” acclamation and allotment to Ascend Amphitheater on Wednesday. A chargeless webcast is accessible on YouTube.
Ascend Amphitheater [See accessible shows]
3 shows — 08/04/2015, 10/18/2016, 10/19/2016
11 songs / 7:37 pm to 8:52 pm (75 minutes)
7 songs / 9:24 pm to 10:42 pm (78 minutes)
18 songs / 13 originals / 5 covers
25.11 [Gap chart]
Tweezer Reprise, Affair Time, The Old Home Place, Backyard Boy, Cool It Down, Funky Bitch, Kill Devil Falls, Mike’s Song, Aback The Circus Comes, Weekapaug Groove, Loving Cup
Cool It Bottomward – 229 Shows (LTP – 08/15/2012)
Ghost – 17:30
Tweezer Reprise – 3:18
Lawn Boy – 1, A Picture of Nectar – 1, Hoist – 1, Billy Breathes – 3, The Story of the Ghost – 1, Joy – 1, Misc. – 5, Covers – 5
60° and bright at showtime
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